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15 Songs From The 60s That Will Instantly Take You Back In Time And Put You In A Groovy Mood

11. The Who Ā€Ā“- I Canā€™t Explain

The Who was a mass of contradictions. Were they pure pop purists? Were they revolutionaries? Well yes and no, they were many things besides, but first and foremost they were angry agitators and the first Heavy Metal band, who literally punched their instruments to death. Whilst ā€˜My generationā€™ was an important song of the 60ā€™s, it could have been written at any point in musical history, close your eyes and you can imagine The Sex Pistols singing it. ā€˜Canā€™t Explainā€™ was their defining moment of the 60ā€™s. It was an incredibly important because of the music, a short, sharp punchy three chord trick, inspired the dancing scene of Mod culture and tapped into the spirit of Northern Soul. And then the words, aloof, confused yet defiant. Within its three minutes, it defined an attitude, spirit, and beat that showed how mod music should be delivered. There are lots of drugs references for different types of 60ā€™s music, and for Mods, the drug of choice was most definitely speed. With Canā€™t Explain, The Who tried to capture this, and define the Mod sensibility, tight, sharp, intense, narcissistic and wide-eyed with a love of life and music. Itā€™s not typical dance music, but as soon as Pete Townsend, John Entwistle and Keith Moon kick into the riff itā€™s impossible not to try a shake a leg to it.

12 The Supremes ā€“ Where Did Our Love Go?

No article of landmark songs from the 60ā€™s could possibly be complete without the behemoth that was Motown records, the hit factory that defined the rules of songwriting for both bands and songwriters. The mission statement was simple, to craft tunes and lyrics that people connected with, providing them with connection and catharsis, the ā€˜thatā€™s exactly how I feelā€™ moment. Motown was the master of this because they didnā€™t have the distractions of having to think about a bands identity, they were focussed on the songs, which in turn became the bedrock of their artistā€™s identity. So picking a landmark from what they did from the 60ā€™s is a task equal to doing the same for The Beatles and The Stones, but there is a clear winner here, and thatā€™s ā€˜Where did our love go?ā€™ by The Supremes. If there was an examiners checklist for a Motown song then this ticks all the boxes. Within these golden three minutes there is a lyric to die for, three sassy divas delivering the vocals, which are of Olympic standard, a tune you canā€™t get out of your head and an arrangement that sounds ridiculously simple, but that on closer inspection is as complex as anything The Beatles or The Beach Boys served up. But the key strength is this, the words. The utter pleading, misery, and desperation of what The Supremes are singing should knock your socks off. Rarely has a song of heartbreak sounded so happy, but thatā€™s what makes it a genius composition.

13. The Beach Boys ā€“ God Only Knows

The Beach Boys were a perfect example of the construction that took place in the 60ā€™s, starting out as clean-cut, West Coast surfer boys, they quickly moved with the changes that were taking place to create some of the most out their compositions of the era. Legend has it that when The Beatles released their two masterpieces, ā€˜Rubber Soulā€™ and ā€˜Revolverā€™, Brian Wilson decided to match them punch for punch and wrote ā€˜Pet Soundsā€™, from which ā€˜God only knowsā€™ emerged as their piece de resistance. Lennon and McCartney, realizing that they were in a title fight, hit back with ā€˜Sgt Peppers Lonely Heart Club Bandā€™. This delivered the metaphorical uppercut to Wilson, whose attempt to fight back hit the ropes when he couldnā€™t finish the ā€˜Smileā€™ album. But thatā€™s the end of the story, and hereā€™s the start, ā€˜God only knowsā€™ is one of the most wondrous songs you will ever hear, a total declaration of love with some of the sweetest words ever written. Going against the emerging hippy chic of ā€˜I love everyoneā€™, this is very much a story of ā€˜I love youā€™. With lines as humble as ā€œI may not always love you, but as long as there are stars above you, you need not ever doubt it, Iā€™ll make you so sure about it.ā€ Not only did they raise the bar for production, vocal harmonies, and baroque arrangements, they laid down a statement of intent that The Beatles themselves felt that they had to raise their game to surpass. How many songs can say that?

14. The Velvet Underground ā€“ Venus In Furs

Well, we couldnā€™t have an article about landmark songs from the 60ā€™s without including Andy Warholā€™s Velvets, a band who took one look at pop in the 60ā€™s and decided one thing, which was ā€˜Hereā€™s how itā€™s doneā€™. To make their seduction of the listener they realised that they had to play the game to an extent, songs such as ā€˜There she goes againā€™ which were borne from Lou Reedsā€™ previous day job as a songwriter for hire, but it was ā€˜Venus in Fursā€™ that really set them apart from the competition and would be an everlasting influence for the more outrĆ© guitar bands up to the current day. There are so many things to say about this song and the first thing is that is it incredibly vicious. As a paean to S&M, it has no peers, John Caleā€™s viola sounds like a whip to the back and the drone of the other instruments makes the experience sound arduous and unpleasant, whilst its compelling itā€™s a story you want to hear about, not experience. What made this such a landmark was that it showed that the musicianship didnā€™t need to be masterful, but have the requisite raw power to blow the listener away, Lou Reedā€™s voice bears no comparison to Scott Walker on a technical level, but it doesnā€™t need to. Without this song, most of the guitar bands that you love wouldnā€™t exist.

15. Jimi Hendrix ā€“ Hey Joe

This is one of the coolest, kick-ass moments in musical TV history, where a tribute blows the idol of affection not just out of the park, but off the planet. This is an amazing example of what Jimi Hendrix could do with six strings, holding the groove down with simple rhythm playing and that amazing blues/soul voice and an unbelievably tight rhythm section. But what made this so inspiring is when he said ā€˜ā€Weā€™re going to stop playing this rubbishā€¦ā€ and breaks into an instrumental of ā€˜Sunshine of your loveā€™ by the recently defunct Cream. Can you imagine a band doing that today? Because ā€˜Hey Joeā€™ was the song that announced him, and whilst he had a string of other classics, ā€˜Hey Joeā€™ was so important because it was the antithesis of what was to become guitar hero culture of the 60ā€™s and 70ā€™s, this was a storyteller who used the guitar to help him tell the tale Whilst ā€˜, Purple Hazeā€™ and ā€˜Fireā€™ were tremendous examples of his ability as a player, this song and ā€˜The wind cries Maryā€™is the real breakthroughs, no one this macho had unleashed such femininity to their playing before. And lest we forget, what a voice.

Credits: whatculture.com

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