After the first three Back to the Future movies became a hit, fans have continued to clamor for a fourth installment. The original trilogy was released between 1985 and 1990, and till now, it remains one of the most popular sci-fi franchises. Over the years, the demand for another sequel has only grown, with many hoping to see Michael J. Fox and Christopher Lloyd reprise their roles. Despite the enthusiasm, the creators have remained firm in their stance on keeping the series as it is.
However, writer Bob Gale has given a two-word response that puts an end to any speculation. At the Saturn Awards on February 2, he was asked about the possibility of Back to the Future 4. His response was clear: “F-ck you.” Instead of a sequel, he has explored other ways to expand the franchise.
Fans won’t be seeing Michael J. Fox anytime soon in ‘Back to the Future’ sequel
Bob Gale, who co-wrote and co-created Back to the Future with Robert Zemeckis, has always been against making a fourth movie. At the Saturn Awards, he explained that he and Zemeckis had already given fans a complete story. “We made three terrific movies, and people kept asking for more,” Gale said. His response has fizzled out whatever hope fans have left.
Instead of a sequel, Gale has focused on expanding Back to the Future in other ways. He played a role in developing the animated series (1991-1993) and even helped create a video game adaptation with Telltale Games. He also co-wrote Back to the Future: The Musical, which has been successful in the theater world.
Bob Gale has plans to take the Musical to Japan, Germany, and Australia
The Back to the Future trilogy follows Marty McFly, a teenager who accidentally travels through time with the help of Dr. Emmett “Doc” Brown and his DeLorean time machine. The first movie was released in 1985, and it became an instant hit, leading to two sequels in 1989 and 1990.
Despite ending over three decades ago, the franchise remains popular. Fans can still experience the story in different ways, including the musical adaptation, which has expanded to London’s West End and Broadway. There are also plans to take the production to Japan, Germany, and Australia.