Throughout much of the 1980s, Molly Ringwald was the quintessential beloved child star who dominated the screen. On the outside, hers was the smoothest journey of young stardom, a tale of someone who did not come from the industry but flourished in it.
However, Ringwald revealed in a recent interview, that was not always the reality of her situation. The actress spoke with current Jeopardy! host Mayim Bialik to discuss the hurdles of being a child actor navigating a โbrutalโ industry. Learn how she did it all here.
The unexpected rise of Molly Ringwald into the life of a child star
Molly Ringwald did not come from a showbiz family; her mother was a chef and her father a blind jazz pianist. But like something out of a fairytale or movie, this youngster found herself thrust into a world of glamor under a bright spotlight when she was just five on stage before channeling her fatherโs work through original music. Almost fittingly, when Ringwald started seeing regular film and TV work, it was often in coming-of-age stories, with her as the adolescent on a formative journey, such as in Annie, Pretty in Pink, and especially Sixteen Candles. That general layout is not unlike what she went through as an outsider to the industry.
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โYou know my parents, even though my father was a jazz musician, he really didnโt have any experience with Hollywood,โ Ringwald noted. โThey were total novicesโฆthey really didnโt know anything about what business was like and how truly dangerous the business was and how truly dangerous it can be for children and for their development. You know my mom often said, โif I knew then what I know now, I would have never let you be a child actor.’ And Iโm kinda one of the success stories, you know. Iโm still here.โ
The truly dangerous business of childhood stardom
One pervading theme of what makes the industry so dangerous to children, according to Ringwaldโs recollections, is the vulnerability. As a child, she could face some โbrutalโ situations, including rejection. โThese things happen and, you know, they affect you and I feel like you have to be incredibly strong to do this as a career, you know, emotionally,โ she explained.
Ringwald went on to say, โWhich is hard, you know? By the same token, to be a good actor, you need to be able to access your emotions and go to that dark place and, you know, itโs sort of this difficult dichotomy. And, you know, itโs something Iโve tried to balance and understand my entire life. You know, my entire career itโs something Iโve worked on and struggled with to varying degrees of success.โ It sounds like it puts them through a precarious balancing act early on!