Gene Wilder and Mel Brooks weren’t just creative partners—they were also close friends whose collaboration helped shape some of the funniest films in Hollywood history. Together, they worked on classics like Blazing Saddles (1974) and The Producers (1967), earning a reputation for their unique brand of sharp, unpredictable humor.
By 1974, the two joined forces once again to co-write Young Frankenstein, a project that would soon become a comedy masterpiece. Yet, even strong friendships can face moments of tension. According to MeTV, Mel Brooks revealed in his memoir All About Me!: My Remarkable Life in Show Business that the filming process nearly led to a physical altercation between the two men over one unforgettable scene.
The Fight Over ‘Puttin’ On The Ritz’
In his book, Mel Brooks explained that things ran smoothly during filming—except for one heated disagreement. The conflict started with Gene Wilder’s idea to include the “Puttin’ on the Ritz” song-and-dance number between Dr. Frankenstein and the monster. Brooks admitted he initially loved the idea but feared it might be too absurd for the movie’s tone. He thought the scene could ruin the film’s continuity and make it feel unbelievable.
Their creative debate soon turned intense. Brooks recalled, “We fought and we fought. Our tempers rose, and we almost got into a fistfight over it.” Despite Brooks’s resistance, Wilder convinced him to at least film the sequence and see how it worked. That decision would prove to be one of the most important of their careers.
A Scene That Made History
Once Mel Brooks saw the final cut, he realized how wrong he had been. “I have never been so wrong in my life,” he confessed. “Gene was right because it took the movie to another level.” The “Puttin’ on the Ritz” scene went on to become one of the most beloved moments in Young Frankenstein, showcasing the perfect blend of Gene Wilder’s comedic brilliance and Mel Brooks’s daring direction.
The fight that almost came to blows ended up strengthening their creative partnership. It also reminded Brooks that sometimes, the wildest ideas can turn into cinematic gold. Thanks to that bold choice, Young Frankenstein remains one of the greatest comedies ever made.