Lewis signed a nonexclusive deal with Columbia that resulted in several uninspired films such as “Three on a Couch,” “The Big Mouth” and “Don’t Raise the Bridge, Lower the River.” Even Lewis had to admit, “Jerry Lewis is never just OK or adequate; he’s either very funny or he’s awful.”
While Americans largely dismissed him, Lewis had developed a following at French film journals Cahiers du Cinema and Positif.
He was born Joseph Levitch in Newark, N.J. Both his parents were in show business and, at the age of 5, Lewis made his debut at a Borscht Belt hotel singing “Brother Can You Spare a Dime?”
Perhaps because his parents spent a great deal of time on the road, Lewis was demanding attention through humor by the time he was attending Irvington High School in New Jersey. By age 15 he was pantomiming operatic and popular songs and was booked into a burlesque house in Buffalo.
In 1942 he tried out his comic pantomiming at Brown’s Hotel in upstate New York, where he was also working the summer as a bellboy. Comic Irving Kaye was sufficiently impressed to land Lewis some bookings and became his road manager.
Lewis met the young singer Dean Martin at New York nightclub the Glass Hatt and was first paired with him in 1946. After years of rupture, Martin made a surprise appearance on the Muscular Dystrophy Telethon in 1976, and the pair reconciled after the death of Martin’s son in the late 1980s. (Martin died in 1995.)
In the early ’70s he continued to direct uninspired fare such as “Which Way to the Front?” and then tried a serious film, “The Day the Clown Cried,” though he famously shelved the completed work (some footage of it finally surfaced in 2013). He attempted a live TV variety show that failed, as did an attempt at a Broadway musical, “Feeling No Pain”; it was followed by the acrimonious “Hellzapoppin,” which was ditched out of town in Boston at a loss of $1.25 million.
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